{"@context":"https://schema.org","@type":"VideoObject","altText":"Comment attachment by janedoe1","alternateName":"NETFLIX-YOU-MESSED-SnapYT.App.mp4","caption":"","contentUrl":"https://lucycraig.blog/media/742/raw","datePublished":"2026-11-04T20:04:00+00:00","description":"","encodingFormat":"video/mp4","identifier":"742","isAccessibleForFree":true,"machineReadable":{"json":"https://lucycraig.blog/media/742/index.json","markdown":"https://lucycraig.blog/media/742/index.md"},"name":"Comment attachment by janedoe1","ocrStatus":"not_applicable","ocrText":"","text":"[00:00] y'all somebody sent me something last night and I have been waiting all night to talk about this\n[00:04] I made it into an ethics documentary and I don't think the people who made this have any idea\n[00:09] how much fun I am about to have with this because apparently these investigative geniuses managed\n[00:14] to find my video about Jane Doe in the Cornell 7 at least one of my videos but apparently watching\n[00:19] the entire video was just a little too much to ask so this is the clip that they decided to use\n[00:25] Consent to two men is not consent to everybody in the fraternity house ground breaking\n[00:29] I know and the way that they presented it makes me look like I am absolutely supporting Jane Doe except for sweet cheeks\n[00:35] I don't and I've made that\n[00:38] Abundantly clear you see I find it funny that you made me look like I am some super uber feminist believe all women cheerleader and oh honey\n[00:45] Couldn't pop if that is what brought you to my page\n[00:48] Yeah, you're gonna really hate it here because that clip came from a three-minute video where I specifically said if\n[00:54] if she was sexually assaulted.\n[00:56] If, because at that time when I made that video,\n[00:59] we did not have all of the full facts.\n[01:01] But you see, then I made another video,\n[01:03] not even 24 hours after that first video,\n[01:05] and I corrected one thing that I took back,\n[01:08] where I called her a victim.\n[01:09] So the video that Netflix used\n[01:10] had 145,000 views on Instagram.\n[01:13] The follow-up video that they so conveniently skipped over\n[01:17] has almost a million.\n[01:18] And the thumbnail literally says, I was wrong.\n[01:21] apparently an entire documentary production team\n[01:24] got defeated by an Instagram thumbnail.\n[01:26] But I did my research and I started pulling strings\n[01:29] and let's meet the professionals behind this.\n[01:30] Words and pictures.\n[01:32] The executive producer with credits like,\n[01:34] I don't know, The Last Dance, 30 for 30,\n[01:36] the OJ story that made in America.\n[01:38] It's an impressive collection of resumes\n[01:40] for a production that apparently could not find\n[01:42] a part two on Instagram.\n[01:43] Oh, and the executive producer,\n[01:44] Josh Tyringill said something\n[01:45] that I find absolutely beautiful.\n[01:47] The best documentaries don't just capture history,\n[01:49] They shape how we understand it.\n[01:52] Is that what we're calling it now, Josh?\n[01:53] Sweet cheeks, you mean shaping the story\n[01:55] into whatever you want your audience to believe.\n[01:57] Because you took one sentence about consent,\n[01:59] you left out the rest of my position\n[02:01] and made me look like I am waving the flag over here\n[02:03] for Jane Doe.\n[02:04] Josh, sweet cheeks, there's a word for shaping a story\n[02:07] by leaving out information\n[02:08] that changes how people understand it.\n[02:10] Manipulation.\n[02:12] And just because you slapped a Netflix logo on,\n[02:13] it doesn't magically turn it into actual journalism.\n[02:15] It just gives your bullshit a bigger production budget.\n[02:18] But I do have some questions.\n[02:20] Who researched this?\n[02:21] Who edited it?\n[02:22] Who fact-checked it?\n[02:23] Did anybody on your team watch my videos?\n[02:26] Or did six executive producers collectively lose a game\n[02:29] of hide and seek to an Instagram reel?\n[02:30] So Josh, Steve, Connor, I have an invitation for you.\n[02:34] Come on to The Salted Truth.\n[02:35] Bring your editors, bring your researchers,\n[02:37] bring the entire production team\n[02:39] if you need your little emotional support team.\n[02:41] Because I have both videos, I've got the receipts\n[02:44] and I've got a microphone.\n[02:45] And when I was wrong, I had the balls to say it.\n[02:48] Now let's see if whether you do too.\n[02:50] You went in my face in your documentary.\n[02:52] Congratulations, sweet cheeks.\n[02:53] You just made yourselves the next story.\n[02:55] Have the day you deserve it.","thumbnailUrl":"https://lucycraig.blog/media/742/thumb.webp","transcriptSegments":[{"end":4.4,"start":0.0,"text":"y'all somebody sent me something last night and I have been waiting all night to talk about this"},{"end":9.52,"start":4.4,"text":"I made it into an ethics documentary and I don't think the people who made this have any idea"},{"end":14.16,"start":9.52,"text":"how much fun I am about to have with this because apparently these investigative geniuses managed"},{"end":19.04,"start":14.16,"text":"to find my video about Jane Doe in the Cornell 7 at least one of my videos but apparently watching"},{"end":25.44,"start":19.04,"text":"the entire video was just a little too much to ask so this is the clip that they decided to use"},{"end":29.4,"start":25.44,"text":"Consent to two men is not consent to everybody in the fraternity house ground breaking"},{"end":35.2,"start":29.4,"text":"I know and the way that they presented it makes me look like I am absolutely supporting Jane Doe except for sweet cheeks"},{"end":37.48,"start":35.2,"text":"I don't and I've made that"},{"end":44.76,"start":38.24,"text":"Abundantly clear you see I find it funny that you made me look like I am some super uber feminist believe all women cheerleader and oh honey"},{"end":48.08,"start":45.24,"text":"Couldn't pop if that is what brought you to my page"},{"end":54.4,"start":48.52,"text":"Yeah, you're gonna really hate it here because that clip came from a three-minute video where I specifically said if"},{"end":56.68,"start":54.4,"text":"if she was sexually assaulted."},{"end":59.48,"start":56.68,"text":"If, because at that time when I made that video,"},{"end":61.76,"start":59.48,"text":"we did not have all of the full facts."},{"end":63.16,"start":61.76,"text":"But you see, then I made another video,"},{"end":65.68,"start":63.16,"text":"not even 24 hours after that first video,"},{"end":68.2,"start":65.68,"text":"and I corrected one thing that I took back,"},{"end":69.52,"start":68.2,"text":"where I called her a victim."},{"end":70.96,"start":69.52,"text":"So the video that Netflix used"},{"end":73.8,"start":70.96,"text":"had 145,000 views on Instagram."},{"end":77.36,"start":73.8,"text":"The follow-up video that they so conveniently skipped over"},{"end":78.56,"start":77.36,"text":"has almost a million."},{"end":81.56,"start":78.56,"text":"And the thumbnail literally says, I was wrong."},{"end":84.6,"start":81.56,"text":"apparently an entire documentary production team"},{"end":86.92,"start":84.6,"text":"got defeated by an Instagram thumbnail."},{"end":89.2,"start":86.92,"text":"But I did my research and I started pulling strings"},{"end":90.9,"start":89.2,"text":"and let's meet the professionals behind this."},{"end":92.12,"start":90.9,"text":"Words and pictures."},{"end":94.12,"start":92.12,"text":"The executive producer with credits like,"},{"end":96.4,"start":94.12,"text":"I don't know, The Last Dance, 30 for 30,"},{"end":98.36,"start":96.4,"text":"the OJ story that made in America."},{"end":100.2,"start":98.36,"text":"It's an impressive collection of resumes"},{"end":102.0,"start":100.2,"text":"for a production that apparently could not find"},{"end":103.36,"start":102.0,"text":"a part two on Instagram."},{"end":104.6,"start":103.36,"text":"Oh, and the executive producer,"},{"end":105.8,"start":104.6,"text":"Josh Tyringill said something"},{"end":107.28,"start":105.8,"text":"that I find absolutely beautiful."},{"end":109.52,"start":107.28,"text":"The best documentaries don't just capture history,"},{"end":112.12,"start":109.52,"text":"They shape how we understand it."},{"end":113.48,"start":112.12,"text":"Is that what we're calling it now, Josh?"},{"end":115.0,"start":113.48,"text":"Sweet cheeks, you mean shaping the story"},{"end":117.48,"start":115.0,"text":"into whatever you want your audience to believe."},{"end":119.84,"start":117.48,"text":"Because you took one sentence about consent,"},{"end":121.64,"start":119.84,"text":"you left out the rest of my position"},{"end":123.84,"start":121.64,"text":"and made me look like I am waving the flag over here"},{"end":124.68,"start":123.84,"text":"for Jane Doe."},{"end":127.2,"start":124.68,"text":"Josh, sweet cheeks, there's a word for shaping a story"},{"end":128.4,"start":127.2,"text":"by leaving out information"},{"end":130.6,"start":128.4,"text":"that changes how people understand it."},{"end":132.04,"start":130.6,"text":"Manipulation."},{"end":133.8,"start":132.04,"text":"And just because you slapped a Netflix logo on,"},{"end":135.96,"start":133.8,"text":"it doesn't magically turn it into actual journalism."},{"end":138.52,"start":135.96,"text":"It just gives your bullshit a bigger production budget."},{"end":140.2,"start":138.52,"text":"But I do have some questions."},{"end":141.6,"start":140.2,"text":"Who researched this?"},{"end":142.8,"start":141.6,"text":"Who edited it?"},{"end":143.92,"start":142.8,"text":"Who fact-checked it?"},{"end":146.52,"start":143.92,"text":"Did anybody on your team watch my videos?"},{"end":149.08,"start":146.52,"text":"Or did six executive producers collectively lose a game"},{"end":150.92,"start":149.08,"text":"of hide and seek to an Instagram reel?"},{"end":154.68,"start":150.92,"text":"So Josh, Steve, Connor, I have an invitation for you."},{"end":155.92,"start":154.68,"text":"Come on to The Salted Truth."},{"end":157.72,"start":155.92,"text":"Bring your editors, bring your researchers,"},{"end":159.6,"start":157.72,"text":"bring the entire production team"},{"end":161.52,"start":159.6,"text":"if you need your little emotional support team."},{"end":164.4,"start":161.52,"text":"Because I have both videos, I've got the receipts"},{"end":165.84,"start":164.4,"text":"and I've got a microphone."},{"end":168.6,"start":165.84,"text":"And when I was wrong, I had the balls to say it."},{"end":170.44,"start":168.6,"text":"Now let's see if whether you do too."},{"end":172.16,"start":170.44,"text":"You went in my face in your documentary."},{"end":173.96,"start":172.16,"text":"Congratulations, sweet cheeks."},{"end":175.64,"start":173.96,"text":"You just made yourselves the next story."},{"end":176.96,"start":175.64,"text":"Have the day you deserve it."}],"transcriptStatus":"ready","transcriptText":"[00:00] y'all somebody sent me something last night and I have been waiting all night to talk about this\n[00:04] I made it into an ethics documentary and I don't think the people who made this have any idea\n[00:09] how much fun I am about to have with this because apparently these investigative geniuses managed\n[00:14] to find my video about Jane Doe in the Cornell 7 at least one of my videos but apparently watching\n[00:19] the entire video was just a little too much to ask so this is the clip that they decided to use\n[00:25] Consent to two men is not consent to everybody in the fraternity house ground breaking\n[00:29] I know and the way that they presented it makes me look like I am absolutely supporting Jane Doe except for sweet cheeks\n[00:35] I don't and I've made that\n[00:38] Abundantly clear you see I find it funny that you made me look like I am some super uber feminist believe all women cheerleader and oh honey\n[00:45] Couldn't pop if that is what brought you to my page\n[00:48] Yeah, you're gonna really hate it here because that clip came from a three-minute video where I specifically said if\n[00:54] if she was sexually assaulted.\n[00:56] If, because at that time when I made that video,\n[00:59] we did not have all of the full facts.\n[01:01] But you see, then I made another video,\n[01:03] not even 24 hours after that first video,\n[01:05] and I corrected one thing that I took back,\n[01:08] where I called her a victim.\n[01:09] So the video that Netflix used\n[01:10] had 145,000 views on Instagram.\n[01:13] The follow-up video that they so conveniently skipped over\n[01:17] has almost a million.\n[01:18] And the thumbnail literally says, I was wrong.\n[01:21] apparently an entire documentary production team\n[01:24] got defeated by an Instagram thumbnail.\n[01:26] But I did my research and I started pulling strings\n[01:29] and let's meet the professionals behind this.\n[01:30] Words and pictures.\n[01:32] The executive producer with credits like,\n[01:34] I don't know, The Last Dance, 30 for 30,\n[01:36] the OJ story that made in America.\n[01:38] It's an impressive collection of resumes\n[01:40] for a production that apparently could not find\n[01:42] a part two on Instagram.\n[01:43] Oh, and the executive producer,\n[01:44] Josh Tyringill said something\n[01:45] that I find absolutely beautiful.\n[01:47] The best documentaries don't just capture history,\n[01:49] They shape how we understand it.\n[01:52] Is that what we're calling it now, Josh?\n[01:53] Sweet cheeks, you mean shaping the story\n[01:55] into whatever you want your audience to believe.\n[01:57] Because you took one sentence about consent,\n[01:59] you left out the rest of my position\n[02:01] and made me look like I am waving the flag over here\n[02:03] for Jane Doe.\n[02:04] Josh, sweet cheeks, there's a word for shaping a story\n[02:07] by leaving out information\n[02:08] that changes how people understand it.\n[02:10] Manipulation.\n[02:12] And just because you slapped a Netflix logo on,\n[02:13] it doesn't magically turn it into actual journalism.\n[02:15] It just gives your bullshit a bigger production budget.\n[02:18] But I do have some questions.\n[02:20] Who researched this?\n[02:21] Who edited it?\n[02:22] Who fact-checked it?\n[02:23] Did anybody on your team watch my videos?\n[02:26] Or did six executive producers collectively lose a game\n[02:29] of hide and seek to an Instagram reel?\n[02:30] So Josh, Steve, Connor, I have an invitation for you.\n[02:34] Come on to The Salted Truth.\n[02:35] Bring your editors, bring your researchers,\n[02:37] bring the entire production team\n[02:39] if you need your little emotional support team.\n[02:41] Because I have both videos, I've got the receipts\n[02:44] and I've got a microphone.\n[02:45] And when I was wrong, I had the balls to say it.\n[02:48] Now let's see if whether you do too.\n[02:50] You went in my face in your documentary.\n[02:52] Congratulations, sweet cheeks.\n[02:53] You just made yourselves the next story.\n[02:55] Have the day you deserve it.","url":"https://lucycraig.blog/media/742"}